Yinam Leef

 

BIOGRAPHICAL NOTES

YINAM LEEF (b. 1953) grew up in a cultural melting pot, where East meets West, old and new coexist, and local and universal aesthetics are apparent at a change of a glance. While firmly rooted in Western musical tradition, Leef has combined in his music certain elements which are particular to Middle-Eastern sound-environment: melodic fragments, rhythmic or temporal aspects of music, or the relation to time and form. Thus in his works complex harmonies may live side by side next to long pedal tones, and irregular, jazzy rhythms next to timeless melismas. When honoring him with the Prime Minister Prize for Composers in 1993, the jury described him as a “native of Jerusalem, that ‘Place of Fire’, according to poetess Zelda, which recurs in his works... Word and sound, longing and protests, Canaanite spirit and academic ivory towers have all combined to constant motion that has in recent years gathered momentum, power and massiveness, when extended orchestral works have augmented the already existing corpus of chamber and solo compositions. The integration of Eretz-Israeli roots with characteristically Western patterns of composition lends Yinam Leef’s works both their concertantic-expressive nature and their polished crystallinity.

Leef’s creative work has received critical acclaim and won numerous awards. The Frankfurter Allgemeine Zeitung described his music as “attractive, colorful and richly expressive”, while the Luxemburg Wort  called his 2nd Symphony “a most beautiful and unconventional work”. The Jerusalem Post simply labeled his Threads of Time and Distancea masterpiece”.  His Violin and Viola Concerti have both received the ACUM Prizes and his haunting vocal work A Place of Fire received a Citation of Honor from the City of Haifa. In 1993 he received the Prime Minister Prize for Israeli Composers. Leef was commissioned by prestigious organizations such as the Fromm Music Foundation at Harvard, Philadelphia Chamber Music Society, Mannheim Society for New Music, Swarthmore Music and Dance Festival, Jerusalem and Haifa Symphony Orchestras, the Israel Sinfonietta, The Israel Camerata Jerusalem and by numerous performing organizations in Israel and abroad. His works have been heard in most European countries, USA and the Far East and have enjoyed frequent performances in festivals worldwide, including the Tanglewood Music Festival, Israel Festival Jerusalem,  Pittsburgh International Music Festival, the ISCM World Music Days in Hong Kong and Oslo, Musical Spring in St. Petersburg, Poland's Wratislavia Cantans and “The Old Testament in the Arts” Festival in Prague. All major Israeli orchestras have performed his works, and among the ensembles which have featured  his compositions are Philadelphia’s Orchestra 2001, New York New Music Ensemble, Pittsburgh New Music Ensemble, Penn Contemporary Players, Ensemble Musica Viva Dresden, Notabu Ensemble für Neue Musik Düsseldorf, The Ridge and Colorado String Quartets and the Swedish Radio Choir. His works are published by the Israel Music Institute (IMI) and Theodore Presser Company, and have been released on CD’s by Angel, MII and JMC labels.

Yinam Leef has always found immense satisfaction in the artistic and human interaction between composer and performer. He also sees great importance in his pedagogical work, transcending those universal aesthetic values he received from his own teachers – Kopytman, Wernick, Rochberg, Crumb and Berio – and encouraging young talents in composition to find their own individual voice. He is an Leef had taught at Swarthmore and Haverford Colleges, Philadelphia College of Performing Arts and the New School of Music. He is an Associate Professor at the Jerusalem Academy of Music and Dance, where he has also served as Dean of Students (1990-94) and Chairman of the Department of Composition, Conducting and Theory (1995-1997, 2003 –).  He was guest composer at the Berlin Hochschule der Kunste and Conservatorium Maastricht, and Guest Professor at the University of Pennsylvania.

List of works

ORCHESTRAL  WORKS

LAMENTS  for ChO (2,2,2,2 - 2,2,0,0, hp & str) 15' (1979; IMI 6206)

SCHERZOS AND  SERENADES  (2,2/ehn,2,2 - 2,2,0,0, timp,perc(2) & str) 12' (1989; IMI 7053 / Presser.

TRIBUTE  for ChO (2,2,2,2 - 2,2,0,0, timp & str) 5' (1991; IMI 6906)

SYMPHONY No. 1  (2/pic,2/ehn,2/b-cl,2 - 4,2,3,1, perc(3),hp & str) 17' (1981/1992; IMI 7023)

VISIONS OF STONECITY (Symphony No. 2) (3/pic,3/ehn,3/b-cl,3/dbn - 4,3,2,1, timp,perc(3),hp & str) 19' (1995; IMI 7050)

NIGHT LIGHT (Nocturne for orchestra after paintings by Asaf Ben Zvi) for SO

(2/pic,2/ehn,2/b-cl,2 - 4,2,3,0, timp,perc(2),hp & str) 11' (1996; IMI 7287)

 

SOLO  AND  ORCHESTRA

VIOLIN CONCERTO (2/pic,1/ehn,1/b-cl,1/dbn - 1,1,1,0, perc(2),hp,pno & str) 29' (1983; IMI 7055/Presser)

FANFARES AND WHISPERS  for trpt solo and StrO (min. 6.6.4.4.2) 10' (1986; IMI 7054 / Presser)

VIOLA CONCERTO (2/pic,2/ehn,2/b-cl,2 - 3,2,1,0, timp,perc(2),pno & str) 21' (1998; IMI 7161)

HALLEL  for vcl solo, 2 hns and StrO (min. 6.5.4.3.2) 14(2002; IMI 7506)

VIOLIN CONCERTO No. 2 (1,1,1,1 – 1,1,1,0, perc,hp,pno & str) ca.17’ (in progress)

 

VOICE  AND  ORCHESTRA

THREADS OF TIME AND DISTANCE, song cycle on texts by Rivka Miriam and Orna Elstein,

for A, ob & StrO. 28' (1995; IMI 7038)

YESTER'S REMAINS, a setting of 11 poems (in original languages) by Ahmatova, Byron, Ditzany, Enel, Kavafy, Lorca, Louys, Miriam, Peretz, Zelda and Psalm 150, for S, mixed choir & SO (3,3,3,2 – 4,3,3,1, timp,perc(2),hp & str). Ca. 30' (in progress)

 

VOICE  AND CHAMBER ENSEMBLE

FIREFLIES, 2 songs on texts by R. Tagore for S, fl & hpd. 7' (1977; IMI 6232)

THE INVISIBLE CARMEL,  a cycle of  4 songs on texts by Zelda for S, ob/Eng, hn, cl/b-cl., vln, db & perc. 17' (1982; IMI 7059 / Presser)

A PLACE OF FIRE a setting of Zelda’s poem for Mez and ChE (ob/Eng.hn, cl./b-cl, bsn, tpt, trb, perc, hp, pno, vln, vcl & db) 20' (1985; IMI 7056 / Presser)

"...SAID HIS LOVER"  for voice (A or Mez) & cl. Text by Rivka Miriam. 12' (1996; IMI 7103)

THREE LYRICAL SONGS  on texts by David Eller, for T and str trio. 11' (1999; IMI 7237)

 

CHOIR  A  CAPPELLA

SOUNDS, SHADOWS...  (SSAATTBB, min. 4 per part, inc. solo S, A, T) Texts in Esperanto by L.L.Zamenhof. 10' (1987; IMI 7418)

SEA SONGS, 2 songs for equal-voice choir. Texts by Zelda. 5' (1993)

 

CHAMBER MUSIC

GILGULIM  (Reincarnations) for ob, cl & bn. 10' (1976, rev. 1978; IMI 6205)

GILGULIM  (Reincarnations) version for vln, vla and vcl. 10' (1980; IMI 6205A)

HA'BOR  (The Pit) for bn and perc(2). 9' (1978; IMC)

STRING QUARTET 10' (1978; IMI 6231)

FLOWERS, INSECTS AND A VERY  THIN LINE  for fl, ob, vln, vcl & pno. 8' (1979; IMC)

OCTET - Eight Miniatures for Eight Instruments after Kandinsky for fl/pic, cl, hn,perc, vln, vla, vcl & db. 12' (1984; IMI 7060 / Presser)

TRIO for hn, ob and vln. 11' (1988)

ELEGY  for str qrt. 9' (1991)

TRIPTYCH (homage to O. Partos) for cl, vln, vla, vcl and pno. 10' (1997; IMI 7129)

T'FILAH for three vlns. 5' (1997; IMI 7141)

BAGATELLES for fl & pno. 9’ (2000; IMI 7278)

STRING QUARTET No. 2. 23’ (2001) IMI 7263.

OFFERING  for vln & pno. Ca. 9’ (2001; IM 7401)

SERENITY LOST for cl, vln & pno (in progress)

 

WORKS FOR SOLO INSTRUMENTS

THREE PIECES FOR PIANO 5' (1977; IMC)

K.O.  for ob solo. 3' (1978; IMI 7210)

FOUR PIANO PIECES FOR CHILDREN  4' (1980; IMI 6695)

CANAANITE FANTASY  for pno. 11' (1981; IMI 7419)

HOW FAR EAST, HOW FURTHER WEST?  (Canaanite Fantasy No. 2) for pno. 9' (1988; Presser)

ELEGY  (Canaanite Fantasy No. 3) for hpd. 8'30" (1990; Presser)

CANTILENA  (Canaanite Fantasy  No. 4) for gui. 11' (1994; IMI 7209)

YIZKOR  (In Memoriam) for fl alone. 6'30" (1995; IMI 7129)

REMINISCENCES OF TRANQUILLITY for hp solo. 8’ (2002; IMI 7441)

 

SOLILOQUY for vln alone. 6’ (2003; IMI 7522)