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BIOGRAPHICAL NOTES YINAM
LEEF (b. 1953) grew up
in a cultural melting pot, where East meets West, old and new coexist, and
local and universal aesthetics are apparent at a change of a glance. While
firmly rooted in Western musical tradition, Leef has combined in his music
certain elements which are particular to Middle-Eastern sound-environment:
melodic fragments, rhythmic or temporal aspects of music, or the relation
to time and form. Thus in his works complex harmonies may live side by
side next to long pedal tones, and irregular, jazzy rhythms next to
timeless melismas. When honoring him with the Prime Minister Prize for
Composers in 1993, the jury described him as a “native of Jerusalem,
that ‘Place of Fire’, according to poetess Zelda, which recurs in his
works... Word and sound, longing and protests, Canaanite spirit and
academic ivory towers have all combined to constant motion that has in
recent years gathered momentum, power and massiveness, when extended
orchestral works have augmented the already existing corpus of chamber and
solo compositions. The integration of Eretz-Israeli roots with
characteristically Western patterns of composition lends Yinam Leef’s
works both their concertantic-expressive nature and their polished
crystallinity.” Leef’s creative work has received critical acclaim and won numerous
awards. The Frankfurter Allgemeine Zeitung described his music as
“attractive, colorful and richly expressive”, while the Luxemburg
Wort called his
2nd Symphony “a most beautiful and unconventional
work”. The Jerusalem Post simply labeled his Threads of Time and
Distance “a masterpiece”.
His Violin and Viola Concerti have both received
the ACUM Prizes and his haunting vocal work A Place of Fire
received a Citation of Honor from the City of Haifa. In 1993 he received
the Prime Minister Prize for Israeli Composers. Leef was commissioned by
prestigious organizations such as the Fromm Music Foundation at Harvard,
Philadelphia Chamber Music Society, Mannheim Society for New Music, Swarthmore Music and Dance Festival,
Jerusalem and Haifa Symphony Orchestras, the Israel Sinfonietta, The
Israel Camerata Jerusalem and by numerous performing organizations in
Israel and abroad. His works have been heard in most European countries,
USA and the Far East and have enjoyed frequent performances in festivals
worldwide, including the Tanglewood Music Festival, Israel Festival
Jerusalem, Pittsburgh
International Music Festival, the ISCM World Music Days in Hong Kong and
Oslo, Musical Spring in St. Petersburg, Poland's Wratislavia Cantans and
“The Old Testament in the Arts” Festival in Prague. All major Israeli
orchestras have performed his works, and among the ensembles which have
featured his compositions are
Philadelphia’s Orchestra 2001, New York New Music Ensemble, Pittsburgh New
Music Ensemble, Penn Contemporary Players, Ensemble Musica Viva Dresden,
Notabu Ensemble für Neue Musik Düsseldorf, The Ridge and Colorado String
Quartets and the Swedish Radio Choir. His works are published by the
Israel Music Institute (IMI) and Theodore Presser Company, and have
been released on CD’s by Angel, MII and JMC
labels. Yinam Leef has always found immense satisfaction in the artistic and human interaction between composer and performer. He also sees great importance in his pedagogical work, transcending those universal aesthetic values he received from his own teachers – Kopytman, Wernick, Rochberg, Crumb and Berio – and encouraging young talents in composition to find their own individual voice. He is an Leef had taught at Swarthmore and Haverford Colleges, Philadelphia College of Performing Arts and the New School of Music. He is an Associate Professor at the Jerusalem Academy of Music and Dance, where he has also served as Dean of Students (1990-94) and Chairman of the Department of Composition, Conducting and Theory (1995-1997, 2003 –). He was guest composer at the Berlin Hochschule der Kunste and Conservatorium Maastricht, and Guest Professor at the University of Pennsylvania. |
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List of works ORCHESTRAL
WORKS SCHERZOS AND SERENADES (2,2/ehn,2,2 - 2,2,0,0, timp,perc(2)
& str) 12' (1989; IMI 7053 / Presser. TRIBUTE for ChO (2,2,2,2 - 2,2,0,0, timp &
str) 5' (1991; IMI 6906) SYMPHONY No. 1 (2/pic,2/ehn,2/b-cl,2 - 4,2,3,1,
perc(3),hp & str) 17' (1981/1992; IMI
7023) VISIONS OF STONECITY (Symphony No. 2)
(3/pic,3/ehn,3/b-cl,3/dbn - 4,3,2,1,
timp,perc(3),hp & str) 19' (1995; IMI 7050) NIGHT LIGHT (Nocturne for orchestra
after paintings by Asaf Ben Zvi) for
SO (2/pic,2/ehn,2/b-cl,2 -
4,2,3,0, timp,perc(2),hp & str) 11' (1996; IMI
7287)
SOLO AND
ORCHESTRA VIOLIN CONCERTO (2/pic,1/ehn,1/b-cl,1/dbn - 1,1,1,0,
perc(2),hp,pno & str) 29' (1983; IMI 7055/Presser) FANFARES AND WHISPERS for trpt solo and StrO (min.
6.6.4.4.2) 10' (1986; IMI 7054 / Presser) VIOLA CONCERTO (2/pic,2/ehn,2/b-cl,2 - 3,2,1,0,
timp,perc(2),pno & str) 21' (1998; IMI
7161) HALLEL for vcl solo, 2 hns and StrO (min.
6.5.4.3.2) 14’
(2002; IMI
7506) VIOLIN CONCERTO No. 2
(1,1,1,1 – 1,1,1,0,
perc,hp,pno & str) ca.17’ (in progress)
VOICE AND
ORCHESTRA THREADS OF TIME AND
DISTANCE, song cycle
on texts by Rivka Miriam and Orna Elstein, for A, ob & StrO. 28'
(1995; IMI 7038) YESTER'S REMAINS, a setting of 11 poems (in original
languages) by Ahmatova, Byron, Ditzany, Enel, Kavafy, Lorca, Louys,
Miriam, Peretz, Zelda and Psalm 150, for S, mixed choir &
SO
(3,3,3,2 – 4,3,3,1, timp,perc(2),hp & str). Ca. 30' (in
progress)
VOICE AND CHAMBER
ENSEMBLE FIREFLIES, 2 songs on texts by R. Tagore for S, fl
& hpd. 7' (1977; IMI 6232) THE INVISIBLE CARMEL,
a cycle of 4 songs on
texts by Zelda for S, ob/Eng, hn, cl/b-cl., vln, db & perc. 17' (1982;
IMI 7059 / Presser) A PLACE OF FIRE a setting of Zelda’s poem for Mez and ChE (ob/Eng.hn,
cl./b-cl, bsn, tpt, trb, perc, hp, pno, vln, vcl & db) 20' (1985; IMI
7056 / Presser) "...SAID HIS LOVER" for voice (A or Mez) & cl. Text by
Rivka Miriam. 12' (1996; IMI 7103) THREE LYRICAL SONGS
on texts by David Eller, for T and str trio. 11' (1999; IMI
7237)
CHOIR A
CAPPELLA SEA SONGS, 2 songs for equal-voice choir. Texts by
Zelda. 5' (1993)
CHAMBER
MUSIC GILGULIM (Reincarnations) version for vln, vla
and vcl. 10' (1980; IMI 6205A) HA'BOR (The Pit) for bn and perc(2). 9' (1978;
IMC) FLOWERS, INSECTS AND A VERY THIN LINE for fl, ob, vln, vcl & pno. 8'
(1979; IMC) OCTET - Eight Miniatures for Eight
Instruments after Kandinsky for fl/pic, cl, hn,perc, vln, vla, vcl
& db. 12' (1984; IMI 7060 / Presser) TRIO for hn, ob and vln. 11' (1988) ELEGY for str qrt. 9'
(1991) TRIPTYCH (homage to O. Partos)
for cl, vln, vla, vcl
and pno. 10' (1997; IMI 7129) T'FILAH for three vlns. 5' (1997; IMI
7141) BAGATELLES
for fl & pno. 9’
(2000; IMI 7278) STRING QUARTET No.
2. 23’ (2001) IMI
7263. OFFERING
for vln & pno. Ca. 9’ (2001; IM
7401) SERENITY LOST
for cl, vln & pno
(in progress)
WORKS FOR
SOLO INSTRUMENTS THREE PIECES FOR PIANO 5' (1977; IMC) K.O. for ob solo. 3'
(1978; IMI 7210) FOUR PIANO PIECES FOR CHILDREN 4' (1980; IMI 6695) CANAANITE FANTASY for pno. 11' (1981; IMI 7419) HOW FAR EAST, HOW FURTHER WEST? (Canaanite Fantasy No. 2) for pno. 9'
(1988; Presser) ELEGY (Canaanite Fantasy No. 3) for hpd.
8'30" (1990; Presser) CANTILENA (Canaanite
Fantasy No. 4) for gui. 11'
(1994; IMI 7209) YIZKOR (In Memoriam) for fl alone. 6'30" (1995; IMI
7129) REMINISCENCES OF TRANQUILLITY for hp solo. 8’ (2002; IMI 7441)SOLILOQUY for vln alone. 6’ (2003; IMI 7522) |