{"id":35971,"date":"2026-04-17T05:47:57","date_gmt":"2026-04-17T02:47:57","guid":{"rendered":"https:\/\/imistore.mipo.co.il\/mpieces\/erasure-op-69\/"},"modified":"2026-04-17T05:47:57","modified_gmt":"2026-04-17T02:47:57","slug":"erasure-op-69","status":"publish","type":"mpieces","link":"https:\/\/www.imi.org.il\/en\/mpieces\/erasure-op-69\/","title":{"rendered":"Erasure, op. 69"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"parent":0,"menu_order":0,"template":"","class_list":["post-35971","mpieces","type-mpieces","status-publish","hentry"],"acf":{"Id":"2709","imi_number":"7877","published":"1","he_title":"Erasure, op. 69","he_subtitle":"","composition":1028,"choir_composition":"","didactic":false,"is_child":false,"language":"","cover":"","main_creator":14477,"creators":[{"creator":14477,"mrole_name":"\u05de\u05dc\u05d7\u05d9\u05df","mrole_id":"1"}],"composer":14477,"mpiece_time":"8","year_writing":"2009","chapters":null,"orchestration":"","transliteration":false,"level":"0","youtube_link":"","spotify_link":"","book_link":"","products":[{"product":35973}],"he_desc":"Erasure is a kind of extended lied for unaccompanied violin, in four alternating moods. Its main intent is to depict four entities as they pass away from this world - yet retain a kind of blurred existence. Even when we willingly erase a being or entity, it does not exactly disappear; there are always faint traces, engraved memories. The four moods are four segments, each divided in two: a source - and a development-through-fading. In principle, this is a mirror image of conventional musical development - stripping away the material until we are only left with the underlying kernel. The aesthetics and the pitch world in each of the four segments is distinctive, created through a kind of hidden monothematicism. Thus far on the internal trajectory of each movement. The work's overall feeling is that of simultaneous descents in three parameters, flowing in a single continuity which encompasses the entire work: a descent in pitch, from high to low; a large dynamic descent; and a gradual dulling of the violin's timbre. This overall azimuth - a sharp slope, from the highest peak to the lowest abyss - finds us suddenly, thrusting us into an allegorical-philosophical insight on a gradually vanishing world. The work was born to me in August 2009 - out of the necessity of life, in response to a loss within my own personal world. It was composed just a few months before the launch of the twentieth CD dedicated to my works (December 5, 2009), enabling the inclusion of the world-premiere performance within this event. Erasure (op. 69) was composed especially for the violinist Yael Barolsky. Tsippi Fleischer, 2009"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Erasure, op. 69 - Israel Music Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imi.org.il\/mpieces\/\u05de\u05d7\u05d9\u05e7\u05d4-\u05d0\u05d5\u05e4-69\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Erasure, op. 69 - Israel Music Institute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imi.org.il\/mpieces\/\u05de\u05d7\u05d9\u05e7\u05d4-\u05d0\u05d5\u05e4-69\/\" \/>\n<meta property=\"og:site_name\" content=\"Israel Music Institute\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%9e%d7%97%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a4-69\/\",\"url\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%9e%d7%97%d7%99%d7%a7%d7%94-%d7%90%d7%95%d7%a4-69\/\",\"name\":\"Erasure, op. 69 - 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