{"id":37126,"date":"2026-04-20T05:53:32","date_gmt":"2026-04-20T02:53:32","guid":{"rendered":"https:\/\/imistore.mipo.co.il\/mpieces\/trio-sonata\/"},"modified":"2026-04-20T05:53:32","modified_gmt":"2026-04-20T02:53:32","slug":"trio-sonata-2","status":"publish","type":"mpieces","link":"https:\/\/www.imi.org.il\/en\/mpieces\/trio-sonata-2\/","title":{"rendered":"Trio Sonata"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"parent":0,"menu_order":0,"template":"","class_list":["post-37126","mpieces","type-mpieces","status-publish","hentry"],"acf":{"Id":"3067","imi_number":"8209","published":"2","he_title":"Trio Sonata","he_subtitle":"","composition":1679,"choir_composition":"","didactic":false,"is_child":false,"language":"","cover":"","main_creator":14409,"creators":[{"creator":14409,"mrole_name":"\u05de\u05dc\u05d7\u05d9\u05df","mrole_id":"1"}],"composer":14409,"mpiece_time":"17","year_writing":"2006","chapters":[{"mpiece_id":"3067","name":"I"},{"mpiece_id":"3067","name":"II"},{"mpiece_id":"3067","name":"III"}],"orchestration":"","transliteration":false,"level":"0","youtube_link":"","spotify_link":"","book_link":"","products":[{"product":37128}],"he_desc":"<p><span style=\"mso-bidi-font-size:12.0pt\">This music in three movements was originally written for a treble recorder, a Baroque violoncello and a harpsichord. Such an instrumental ensemble doubtlessly had its repercussion on the character of the work: it has something of the spirit of the seventeenth century, maybe the eighteenth.<\/span><\/p><p style=\"text-align:justify;direction:ltr;unicode-bidi:embed\" class=\"MsoNormal\"><span style=\"mso-bidi-font-size:12.0pt\">The first movement is a Baroque sonata movement <\/span><i><span style=\"mso-bidi-font-size:12.0pt\">par excellence<\/span><\/i><span style=\"mso-bidi-font-size:12.0pt\">: It has two sections, each ending with a repetition mark, i.e<\/span><i><span style=\"mso-bidi-font-size:12.0pt\">. <\/span><\/i><span style=\"mso-bidi-font-size:12.0pt\">the musicians are asked to repeat and play each section twice. Such a practice is unheard of nowadays and is even condemned as indecent in certain quarters. Contemporary musicians would often refrain from repeating certain sections in a Beethoven sonata, although Beethoven expressly demanded a repetition. The key word for understanding this unacceptable practice is \"Performing\". Today musicians do not play, nor do they sing. They \"Perform\". And if it is so, and if I have already \"performed\" a certain section of music, why perform it again? Well, let it be clearly understood, that this music in <\/span><i><span style=\"mso-bidi-font-size:12.0pt\">not <\/span><\/i><span style=\"mso-bidi-font-size:12.0pt\">intended for \"performance\". It is intended as something to <\/span><i><span style=\"mso-bidi-font-size:12.0pt\">play, <\/span><\/i><span style=\"mso-bidi-font-size:12.0pt\">or rather <\/span><i><span style=\"mso-bidi-font-size:12.0pt\">to play with, <\/span><\/i><span style=\"mso-bidi-font-size:12.0pt\">for musicians who love music, and whose heart sings along with it.<\/span><\/p><p style=\"text-align:justify;direction:ltr;unicode-bidi:embed\" class=\"MsoNormal\"><span style=\"mso-bidi-font-size:12.0pt\">The second movement is a set of variations. Here the principle of repetition rules supreme. Here the repetitions are multiple: The theme has two sections, each repeated, although with a difference of instruments and character. And the entire theme is repeated five or six times (I did not bother to count), with its changing variations.<\/span><span style=\"mso-spacerun:yes\">&nbsp; &nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;<\/span><\/p><p style=\"text-align:justify;direction:ltr;unicode-bidi:embed\" class=\"MsoNormal\"><span style=\"mso-bidi-font-size:12.0pt\">The third movement is a classical rondo having, again, many repetitions. This is what I was trying to say: this music breathes the air of the seventeenth, maybe the eighteenth, century.<\/span><\/p>"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Trio Sonata - Israel Music Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imi.org.il\/mpieces\/\u05d8\u05e8\u05d9\u05d5-\u05e1\u05d5\u05e0\u05d8\u05d4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Trio Sonata - Israel Music Institute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imi.org.il\/mpieces\/\u05d8\u05e8\u05d9\u05d5-\u05e1\u05d5\u05e0\u05d8\u05d4\/\" \/>\n<meta property=\"og:site_name\" content=\"Israel Music Institute\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%98%d7%a8%d7%99%d7%95-%d7%a1%d7%95%d7%a0%d7%98%d7%94\/\",\"url\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%98%d7%a8%d7%99%d7%95-%d7%a1%d7%95%d7%a0%d7%98%d7%94\/\",\"name\":\"Trio Sonata - 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