{"id":37869,"date":"2026-05-14T06:03:53","date_gmt":"2026-05-14T03:03:53","guid":{"rendered":"https:\/\/imistore.mipo.co.il\/mpieces\/folia\/"},"modified":"2026-05-14T06:03:54","modified_gmt":"2026-05-14T03:03:54","slug":"folia","status":"publish","type":"mpieces","link":"https:\/\/www.imi.org.il\/en\/mpieces\/folia\/","title":{"rendered":"Fol\u00eda"},"content":{"rendered":"","protected":false},"excerpt":{"rendered":"","protected":false},"featured_media":0,"parent":0,"menu_order":0,"template":"","class_list":["post-37869","mpieces","type-mpieces","status-publish","hentry"],"acf":{"Id":"3403","imi_number":"8615","published":"1","he_title":"Fol\u00eda","he_subtitle":"","composition":1756,"choir_composition":"","didactic":false,"is_child":false,"language":"","cover":"","main_creator":14476,"creators":[{"creator":14476,"mrole_name":"\u05de\u05dc\u05d7\u05d9\u05df","mrole_id":"1"}],"composer":14476,"mpiece_time":"12","year_writing":"2019","chapters":null,"orchestration":"","transliteration":false,"level":"0","youtube_link":"","spotify_link":"","book_link":"","products":[{"product":37870}],"he_desc":"<p><em>Fol\u00eda <\/em>was composed at the instigation of the Israeli player Inbar Solomon.&nbsp;\r\n The work takes as its inspirational points of departure the old theme of \u2018Les Folies d\u2019Espagne\u2019 and the literal meaning of the word in Latin languages (\u201ccraziness\u201d). The old theme comes out in the work in two ways. In the first, by the obsessional appearance of a textual high pitched -but much slow-downed -version of the theme piecemeal during the whole piece. In the second, by leaning on the soprano and bass melodic pitch codes of the theme. Those codes share the same structure but at different proportions -the melody in half and full steps and the bass in full steps and fourths- and act as an inner subconscious DNA to the work.&nbsp;&nbsp;\r\n The literal meaning aspect of \"Folia\" is expressed by the attempt to portray a multifaceted deranged \u201cpersonality\u201d in which different moods and characters co-exist simultaneously, perhaps without any perceptive harmony, but in a synergic and organic way. The use of 7 different recorders (from Garklein to Bass) concretizes this \u201csplit personality\u201d addressing the performer to the different instruments and registers in addition to the use his\/her own voice and own gestural sounds.\r\n &nbsp;\r\n Ruben Seroussi<\/p>"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.2 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fol\u00eda - Israel Music Institute<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.imi.org.il\/mpieces\/\u05e4\u05d5\u05dc\u05d9\u05d4\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fol\u00eda - Israel Music Institute\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.imi.org.il\/mpieces\/\u05e4\u05d5\u05dc\u05d9\u05d4\/\" \/>\n<meta property=\"og:site_name\" content=\"Israel Music Institute\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-14T03:03:54+00:00\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%a4%d7%95%d7%9c%d7%99%d7%94\/\",\"url\":\"https:\/\/www.imi.org.il\/mpieces\/%d7%a4%d7%95%d7%9c%d7%99%d7%94\/\",\"name\":\"Fol\u00eda - 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