Ben-Zion Orgad

Ben-Zion Orgad

Born in Gelsenkirchen‭, ‬Germany‭, ‬in 1926‭, ‬Ben-Zion Orgad immigrated to Israel in 1933‭. ‬He began to study the violin in 1934‭ ‬with Rudolf Bergman and continued until 1942‭, ‬with Paul Ben-Haim theory and composition‭. ‬In 1947‭ ‬he graduated from the Jerusalem‭ ‬Music Academy as a student of Josef Tal‭. ‬

Although he constantly searched for the new‭, ‬he has not rejected the past but made use of it in novel ways‭. ‬
In fact‭, ‬having proved to be a strong‭, ‬fiercely independent creative personality‭, ‬he has cut and followed his own unique‭ ‬path and his work can be characterized as a fusion of Jewish tradition‭, ‬Israeli culture and the Hebrew language‭  -‬
all of which are rooted in ancient traditions‭. ‬A significant part of his works are vocal‭, ‬and are inspired by‭, ‬and written‭ ‬
on biblical texts‭; ‬medieval Hebrew texts and modern Hebrew poetry‭. ‬In his works Orgad achieved a unique relationship‭ ‬between word and sound‭: ‬the word‭ ‬endows the sound with its singularity and the sound enhances the mystery within the word‭. ‬Since Orgad was also a prolific poet and writer with profound knowledge of and great sensitivity to the musical‭ ‬
character of the Hebrew language‭, ‬words formed an integral part of his musical language‭, ‬both in his vocal
and his instrumental works‭.‬

Words and sound inspires as well as structures his musical sentences‭. ‬Orgad has composed 84‭ ‬works for different‭ ‬instrumental ensembles‭, ‬all of which have been performed‭, ‬many by leading conductors‭, ‬among them Leonard Bernstein and Gary Bertini‭. ‬It is his close collaboration with Mr‭. ‬Bertini that has produced such highlights as‭ ‬Mizmorim‭, ‬Hallel‭ ‬and the passion‭ ‬The Old Decrees‭. ‬In 1997‭ ‬Orgad was awarded the Israel Prize for Music‭. ‬Ben-Zion Orgad died‭, ‬after a prolonged illness‭, ‬in Tel Aviv‭, ‬on April 28‭, ‬2006‭.‬


Pieces by Ben-Zion Orgad

for voice and ensemble
About the creation
for symphony orchestra
About the creation
for woodwind quintet
About the creation
for two mixed choirs, English horn and horn
About the creation
for two mixed choirs and violoncello
About the creation
for three percussion players
About the creation
for oboe and violin soli, percussion and string orchestra
About the creation
for alto and symphony orchestra
About the creation
for violoncello and piano
About the creation
for mixed choir
About the creation
for alto and violin
About the creation
for string quartet
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
Cantata
for women's choir, trumpet and piano
About the creation
for bassoon and string quartet
About the creation
for symphony orchestra
About the creation
for voice and chamber orchestra
About the creation
for alto and ensemble
About the creation
Concertante
for chamber orchestra
About the creation
for narrator, brass and percussion
About the creation
for trumpet and trombone
About the creation
for string orchestra
About the creation
for clarinet quintet
About the creation
for oboe and string quartet
About the creation
Concertante
for violin, violoncello and chamber orchestra
About the creation
for mixed choir and piano
About the creation
for brass orchestra
About the creation
for clarinet and chamber orchestra
About the creation
for symphony orchestra
About the creation
for voice and piano quartet
About the creation
for soprano, mezzo-soprano, baritone, choir and chamber orchestra
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
for flute, clarinet, percussion, piano, violin and violoncello
About the creation
Ballad
for two mezzo-sopranos and ensemble
About the creation
for horn and symphony orchestra
About the creation
for string orchestra
About the creation
for mezzo-soprano and flute
About the creation
A Biblical Cantata No. 1
for narrator, mixed choir and chamber orchestra
About the creation
Cantata
for mezzo-soprano, women's choir and symphony orchestra
About the creation
for chamber orchestra
About the creation
Duo
for violin and violoncello
About the creation
for woodwind quintet
About the creation
for soloists and chamber orchestra
About the creation
Cantata
for soloists and chamber orchestra
About the creation
for string trio
About the creation
Symphony in two movements
for baritone and symphony orchestra
About the creation
for mezzo-soprano and ensemble
About the creation
Cantata
for soloists and chamber orchestra
About the creation
for soloists and chamber orchestra
About the creation