Hanoch Jacoby

Hanoch Jacoby

Hanoch‭ (‬Heinrich‭) ‬Jacoby was born on March 2‭, ‬1909‭, ‬in Königsberg‭, ‬Germany‭ (‬now Kaliningrad‭, ‬Russia‭). ‬
He studied composition‭, ‬viola and chamber music at the Staatliche Hochschule für Musik‭, ‬Berlin-Charlottenburg‭ (‬1927-1930‭)‬‭ ‬with Paul Hindemith‭, ‬Emil Bohnke‭, ‬Hans Halke‭, ‬Josef Wolsthul and others‭. ‬Before Immigrating to Israel in 1934‭, ‬
he was a member of the Michael Taube’s Chamber Orchestra in Berlin‭, ‬and a member of the Sinfonieorchester‭ ‬
des Südwestrundfunks
‭. ‬Upon arrival to Israel‭, ‬he became a faculty member of the Jerusalem Music Academy‭ ‬
and served as its head from 1954
‭ ‬until 1958‭. ‬He was a guest lecturer‭ ‬in many institutions‭, ‬such as the Technion‭ ‬
in Haifa
‭ – ‬of which he was the resident artist‭ (‬1974/5‭). ‬He became first violist of the Jerusalem Symphony Orchestra‭ (‬1936-1958‭) ‬and was also a member of the Israel Philharmonic Orchestra‭ (‬1958-1974‭).‬‮ ‬‭‬He had performed‭ ‬as a conductor with the leading orchestras in Israel‭ (‬1943-1951‭). ‬During 1934-1939‭ ‬he was a Member of the Jerusalem String Quartet and performed as a violinist and violist with many chamber ensembles‭.‬

He had composed numerous symphonic pieces‭ (‬Including three symphonies‭, ‬a violin concerto‭; ‬a viola concerto‭; ‬symphonic suites‭; ‬among them‭ ‬King David’s‭ ‬Lyre‭); ‬chamber music for many ensembles‭; ‬solo pieces‭ (‬for piano and harp‭); ‬vocal music and arrangements for folk‭ ‬tunes‭.‬‭ ‬His piece‭ ‬King David’s Lyre‭ ‬has multiple versions for a variety of ensembles such as solo instrument‭ (‬violin‭, ‬viola or violoncello‭)‬‭ ‬with a string orchestra or piano‭; ‬and for chamber orchestra‭. ‬The cantata‭ ‬a Day Will Come‭ ‬was awarded the Engel Prize in 1956‭.‬


Pieces by Hanoch Jacoby

Five Israeli Songs
for baritone, oboe, viola and violoncello
About the creation
For violin, viola/violoncello and piano
About the creation
for symphony orchestra
About the creation
for woodwind quintet
About the creation
for viola and chamber orchestra
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
for symphony orchestra
About the creation
for chamber orchestra
About the creation
for symphony orchestra
About the creation
for string orchestra
About the creation
for violin/viola/violoncello and string orchestra
About the creation
for chamber orchestra
About the creation
for violoncello and piano
About the creation
for symphony orchestra
About the creation
for chamber orchestra
About the creation
for alto, viola and piano
About the creation
A Cycle of Eight Pieces for Eight
for ensemble
About the creation
for two violoncellos
About the creation
Suite No. 2
for brass quintet
About the creation
Suite No. 1
for brass quintet
About the creation
for double bass
About the creation
for symphony orchestra
About the creation
for two violoncellos
About the creation
Book I
for violin and piano/two violins and violoncello/string ensemble
About the creation
for symphony orchestra
About the creation
Book II
for violin and piano/two violins and violoncello/string ensemble
About the creation