Yehezkel Braun

Yehezkel Braun

Israel Prize recipient, ACUM Prize winner and Yakir (notable person) of the city of Tel Aviv, Yehezkel Braun was born in Breslau, Germany (today Wroclaw, Poland) in 1922. His family settled in British Palestine two years later. He studied at the Herzliya Hebrew Gymnasium, and afterwards joined Kibbutz Mishmar HaEmek. During the Second World War, he volunteered in the Jewish Brigade of the British army and fought in Italy. Upon returning from the war to the Kibbutz, he was sent to the Kibbutzim College of Education in Tel-Aviv in order to become a teacher of biology and zoology. He also studied harmony and counterpoint with Alexander Uriyah Boskovich. His studies were interrupted by the 1948 Jewish-Arab war, when he joined the battles to defend his Kibbutz. 

Braun was a farmer when he decided to become a musician. “The music began with me gradually,” said Braun. “Until I returned to the Kibbutz after the war, I did not think about music seriously. It was a hobby that became serious over the years. It came to my mind that I have unusual musical skills that other people usually don’t have”. Yehezkel studied at the Israel Academy of Music in Tel-Aviv, where he became a teacher right after the completion of his studies there. At the same time, he also taught at the Kibbutzim College of Education, and later at the Seminary for Music Teachers. In 1966 the Israel Academy of Music was affiliated to Tel-Aviv University, and Braun became Assistant Professor. After several years, he was promoted to Associate Professor and subsequently to Full Professor. He retired at 1989 as Professor Emeritus. In 1975, he studied Gregorian chant with Father Dom Jean Claire in France.  During his work at the University, he pursued undergraduate and graduate studies in Classical Studies, with emphasis on Greek and Roman languages. 

Yehezkel Braun was a prolific composer who wrote music for orchestra, chamber ensemble, and choir as well as vocal music. He also wrote music for movies, theatre and dance and created arrangements of popular songs. In the 1960’s he worked with popular bands and vocal ensembles. 

His unique approach for composition was manifested by Braun when he said “I compose what I hear.” He avoided any conceptions and ideologies, hence his variety as a composer. At times, he used Ashkenazi and Eastern-Jewish melos. The influence of Hayden, Bartok and Brahms is prominent in his chamber and orchestral music. The dominant characteristic of Braun’s music is the beautiful, communicative melody, modal and tonal harmony and classical form. His music is well-known worldwide and performed often.


Pieces by Yehezkel Braun

for guitar, mandolin and harpsichord
About the creation
for brass quintet
About the creation
for mandolin quartet
About the creation
for piccolo and piano
About the creation
aus Heinrich Heines Gedichte
for voice and piano
About the creation
for recorder, baroque violoncello and harpsichord
About the creation
Two Traditional Poems
for contralto, viola da gamba and harpsichord
About the creation
for bassoon, violin, viola and violoncello
About the creation
for voice, horn and string orchestra
About the creation
for mandolin and guitar
About the creation
Seven Night Poems
for soprano, violin, violoncello and piano
About the creation
Six Choral Songs
for mixed choir
About the creation
for mixed choir and piano
About the creation
for mixed choir and piano
About the creation
for violin and guitar
About the creation
From the Poems of Zion by Yehuda Halevi
for soprano, violin, violoncello and piano
About the creation
A setting of verses from the Book of Lamentations
for soprano and symphony orchestra
About the creation
for guitar and chamber orchestra
About the creation
for bassoon and piano
About the creation
Verses from the Song of Songs
for mezzo-soprano, violin, violoncello and piano
About the creation
for guitar, mandolin and harpsichord
About the creation
for voice, oud & goblet drum
About the creation
for vibraphone and piano
About the creation
for piccolo, bassoon and piano
About the creation
for vocal quintet, two oboes, organ, and string quintet
About the creation
for mixed choir and symphony orchestra
About the creation
for mixed choir and piano
About the creation
for double bass and piano
About the creation
After a Persian Tune
for santur, violin, violoncello and piano
About the creation
Suite
for clarinet and string orchestra
About the creation
Suite
for tenor, violin and piano
About the creation
Suite
for violin and chamber orchestra
About the creation
violin and symphony orchestra
About the creation
Ommagio a Girolamo Frescobaldi
for guitar
About the creation
for santur and chamber orchestra
About the creation
for santur and piano
About the creation
for narrator, mixed choir and piano
About the creation
for mezzo-soprano and flute
About the creation
Variations on an Ancient Tune
for viola and piano
About the creation
for voice, violin and violoncello
About the creation
Divertimento
for string sextet
About the creation
for voice, violoncello and piano
About the creation
A Song Collection
for girls' choir
About the creation
Orattio Szigeti Judaeorum in memoriam
for flute, timpani and string orchestra
About the creation
for chamber orchestra
About the creation
for mixed choir, horn, trumpet, snare drum and piano or organ
About the creation
A Cycle of Poetry by Alkman
for mixed choir
About the creation
A Cycle of Poetry by Alkman
for male choir
About the creation
for mixed choir and clarinet
About the creation
for symphony orchestra
About the creation
for trumpet and piano
About the creation
for voice and violin
About the creation
for baritone, mixed choir and chamber orchestra
About the creation
for baritone, mixed choir, trumpet and harp
About the creation
Vol. III: 25-36
for two or three violas
About the creation
Vol. II: 13-24
for two or three violas
About the creation
Volume I: 1-12
for two or three violas
About the creation
(Two medieval songs)
for girls' choir
About the creation
for violoncello and piano
About the creation
for trombone and piano
About the creation
for bass clarinet, trumpet, percussion and double bass
About the creation
for oboe, violin, viola and violoncello
About the creation
for voice, flute and harp
About the creation
for mixed choir and piano
About the creation
for piano and symphony orchestra
About the creation
Twenty Eight Canons: Part 2
for equal voices choir
About the creation
Twenty Eight Canons: Part 1
for equal voices choir
About the creation
Cantata
for children's choir, flute and harp
About the creation
From the Shtetl
for mixed choir and piano
About the creation
for harp and chamber orchestra
About the creation
for tenor, mixed choir, oboe, harp and string orchestra
About the creation
Three Sonatas
for recorder trio
About the creation
for boy soprano, three-part children's choir and symphony orchestra
About the creation
for tenor, mixed choir and chamber orchestra
About the creation
for symphony orchestra
About the creation
Dance Suite
for ensemble
About the creation
for string orchestra
About the creation
for flute and string orchestra
About the creation
for vocal quartet, percussion, double bass and piano
About the creation
for mixed choir and organ
About the creation
for cantor, mixed choir and organ
About the creation
for bassoon and percussion
About the creation
for mixed choir
About the creation
for women's choir and piano
About the creation
for soprano and piano
About the creation
for mezzo-soprano and piano
About the creation
for mezzo-soprano/tenor and piano
About the creation
for mezzo-soprano and piano
About the creation
for mezzo-soprano/tenor and piano
About the creation
Five Bagatelles
for violin and piano
About the creation
for clarinet and chamber orchestra
About the creation
Motet
for soprano, mixed choir and oboe
About the creation
for violoncello and piano
About the creation
for soprano, mixed choir and chamber orchestra
About the creation
for double bass and piano
About the creation
for girls' choir and piano
About the creation
Songs of Eretz-Israel
for girls' choir and piano
About the creation
Two sacred songs
for girls' choir and piano
About the creation
The Golden Peacock
for girls' choir and piano
About the creation
for flute and chamber orchestra
About the creation
Eighteen canons
for equal voices choir
About the creation
for mixed choir and brass octet
About the creation
A Judeo-Espagnol Song
for mixed choir
About the creation
(Rose, Rose, How Far Are You?)
for mixed choir
About the creation
A Sabbath Evening Hymn
for mixed choir
About the creation
for viola and symphony orchestra
About the creation
for voice, flute, violin, viola and violoncello
About the creation
for horn and string orchestra
About the creation
for women's choir/children's choir and percussion
About the creation
for women's choir/children's choir and two melodic instruments
About the creation
for children's choir
About the creation
for bassoon and piano
About the creation
Three Jests after East-European Jewish Folk Melodies
for bassoon and piano
About the creation
for horn and piano
About the creation
for soprano and chamber orchestra
About the creation
for mezzo-soprano, flute, harp and double bass
About the creation
for mezzo-soprano, flute, harp and double bass
About the creation
Suite
for woodwind quartet
About the creation
for chamber orchestra
About the creation
for three percussionists and piano
About the creation
for mezzo-soprano and chamber orchestra
About the creation
from Isaac Levy's collection "Chants Judeo-Espagnols"
for voice and piano
About the creation
for narrator and chamber orchestra
About the creation
for narrator, flute and piano
About the creation
for voice, horn and string orchestra
About the creation